HILLS AND VALLEYS OUT NOW
Early Life
Growing up in the East Kingston community of Bower Banks, Jigsy King was drawn to music from an early age. While football was his first passion, he discovered his musical instincts by DJ-ing on his father’s soundsystem, King Germain. Despite being surrounded by studios, musicians, and even the nearby Anchor Studio, his father initially discouraged him from pursuing music professionally. After studying at Dunthill Technical and Kingston College, Jigsy moved to live with his mother in Linstead — a shift that would open the door to his career.
Breakthrough
Opportunity came quickly. A talent show at Ocho Rios’ Roofclub earned him third place and recognition from local producer Courtney Cole. When Roof Label initially passed on him, an empty slot on a Stone Love dubplate allowed his first song, Rail Up (1993, Roof International), to launch. The single became a number-one hit across Jamaica and introduced Jigsy King to audiences in the US and Canada.
Collaborating with legendary producers like John John and Barry ‘O Hare, he followed up with a string of dancehall classics: Cock Up and Ride, Have to Get You, Gal a Fuss, Butterfly, and G & G. His success caught the attention of major labels, leading to the compilation releases Load It Back (1993, VP Records) and Have to Get You (1993, Jet Star). A landmark performance at that year’s Sting concert alongside Tony Curtis cemented his prominence in Jamaica.
International Recognition
A collaboration with Barrington Levy, Work (1993, MCA), expanded Jigsy King’s reach to international markets, featuring on BET and major mainstream radio worldwide. He continued building his catalogue with producers like Massive B, Shocking Vibes, Digital B, and Fat Eyes. Give Mi the Weed (1994, Roof International) became his signature track — a reggae anthem still celebrated today across remixes, compilations, and international releases.
Albums and Touring
VP Records released his third album, Ashes to Ashes (1995), which broke sales records and solidified his reputation. By this time, Jigsy King was headlining major festivals including Sunfest and Sting, with performances spanning Japan, the US, Europe, and Canada. His first European tour in 2000 brought him to the continent’s major capitals, introducing his sound to a new global audience.
Continued Collaborations (2000s–2010s)
Throughout the 2000s and 2010s, Jigsy King maintained momentum with strategic collaborations and label partnerships. Highlights include:
See Her Deh with Sizzla (2004, Annex Records)
Sorry with Tony Curtis (2007, Danger Zone)
Plant It with Ce'Cile (2008, Danger Zone)
Champion (2013, Voiceful Records), an all-star dancehall anthem
Ping with Tony Curtis (2015, Shady Hill Records)
Make Space Fi Di General (2019)
In 2019, Jigsy King entered a new phase with Make Space Fi Di General (29West Productions). His fourth studio album reunited him with legendary producer Lynford 'Fatta' Marshall, offering a polished yet authentic reggae foundation. Featuring collaborations with Barrington Levy, Beres Hammond, Tony Curtis, and Fantan Mojah, the 13-track record blends roots reggae, lovers rock, and contemporary dancehall, reaffirming his status as a seasoned voice while introducing a refined sound to new listeners.
Recent Work (2020–2026)
Jigsy King returned with socially conscious tracks How the Place Get So Dutty (2021) and From Falling Grace (2022), both on 29West Productions. Around this period, controversy over the Genesis riddim kept him in public conversation, proving his continued relevance in dancehall debates.
A standout moment came with a commanding performance at Reggae Sumfest, blending classic anthems with newer material to showcase his stage presence. Now in 2026, he spotlights his latest single, Fire With Fire (Long Chain Global) — a bold, unapologetic track that blends militant energy with modern production, reaffirming Jigsy King’s voice as sharp, influential, and impossible to ignore.
His latest release ‘Hills and Valleys’ announces the release of his new album release with the same tittle and is getting major rotation since it’s short release. Built on a warm, uplifting riddim, produced by the legendary Fatta Marshall, the song reflects on perseverance, personal growth, and navigating struggles with resilience and reaffirms the artists’ status in the popular reggae industry as a household name.
