Robert Massard, born Robert-Marie Massard on 15 August 1925 in Pau, France, was a French operatic baritone. He was largely self-taught rather than simply receiving early local training. He began his musical training in his hometown, where he developed a foundation in classical vocal technique. He debuted at Paris Opera in 1952, first as the High Priest in Samson et Dalila (Saint-Saëns), and soon after as Valentin in Faust (Gounod). His early career gained visibility through performances with prominent French orchestras and conductors such as Jésus Etcheverry and Pierre Dervaux. He made major debuts in 1955 at La Scala (Milan) and the Glyndebourne Festival (England), also appearing widely across major European and American houses. Throughout the 1950s and 1960s, Massard recorded a series of French operatic arias, including Iphigénie en Tauride (Gluck) and Carmen (Bizet), often collaborating with singers like Renée Doria and Jules Bastin; he also recorded roles in Rigoletto (Verdi) and Werther (Massenet) in 1961, Carmen (Bizet), conducted by Georges Prêtre with Maria Callas in 1964, and Benvenuto Cellini (Berlioz), conducted by Colin Davis in 1972. His discography expanded with recordings of La traviata (Verdi) and Les Troyens (Berlioz). After retiring in the early 1980s, Robert Massard taught at the Conservatoire in Bordeaux. He died on 26 December 2025 at age 100.