Siege's connection with music runs deep. As a child he was drawn to sound for as long as he remembers. Piano lessons gave him a formal start, but electronic music quickly took over. The energy of eurotrance and the possibilities of sound design opened a new world. Turntables followed. DJing was a way to share that passion, but it wasn’t enough. He wanted recognition for the music itself, to create something of his own, so producing became the natural step. Over time this grew into a sound shaped by house, techno and trance, with the drive of techno, the groove of house and melodies of trance when the track allows. A defining moment came with Crunk, a rework of Mary J. Blige's "Family Affair," released on Azuli. After being swept up in an EDM wave that never felt right, this marked a return to his roots. From there his music gained support across the spectrum, from Carl Cox and Adam Beyer to Tiësto and David Guetta, with consistent backing from BBC Radio 1 selectors Danny Howard and Pete Tong. Gigs grew in scale, with Tomorrowland's DreamVille stage standing out as a breakthrough, born from a simple email to the festival founder that led to a performance for thousands. His tracks found a home on Toolroom, Saved and Truesoul, while shows took him from Tomorrowland to Eden Ibiza and Studio 338 in London. Even when life pulled him away from the stage, music stayed close. Coming back was never a question of if, only when. The focus now is simple: make music, and build from there.
