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Performances of unsparing expressivity, intimacy and vitality are hallmarks of the Signum Quartet, pairing music making of the subtlest order with playing of the highest intensity. The dramatic composition of their programmes is innovative and distinct, and is realised with uncompromising perfection in interpretations of effortless transparency. (“enormously intelligent and knowledgeable programming”—Rondo Magazin)
The quartet has been a welcome guest at the Wigmore Hall London, Concertgebouw Amsterdam, Philharmonie de Paris, Konzerthaus Vienna, Philharmonie Cologne, the Elbphilharmonie Hamburg and at the BBC Proms, with partners such as Nils Mönkemeyer, Dominique Horwitz, Jörg Widmann, Daniel Ottensamer, Nicolas Altstaedt and Elisabeth Leonskaja. In 2023 the ensemble will gave its debut at Carnegie Hall in New York and the Library of Congress in Washington, D.C.
The Signum Quartet’s discography is a testament to their stylistic range: Next to the greats of the quartet literature, they have recorded works by Wolfgang Rihm, Thomas Adès, Jörg Widmann and Kevin Volans. Their recording of Erkki-Sven Tüür’s Second String Quartet Lost Prayers for ECM won Classical Album of the Year at the Estonian Music Awards 2021. “A dark flaring”, their follow-up album for ECM containing South African compositions, was released in the spring of 2025.
Following their multi-award-winning album “Aus der Ferne” (Diapason D’Or, Opus Klassik), the Signum Quartet continued its Schubert cycle for PENTATONE with “Ins stille Land”, deepening its exploration of the fascinating connections between his string quartets and songs. (“The Signum’s ‘Death and the Maiden’ is up there with the best from a crowded field”—The Strad). 2023 saw the release of “Lebensmuth”, the final installment of their Schubert trilogy, which has garnered rave reviews and won a further OPUS Klassik in 2024 for Best Chamber Music Album of the Year.
